Tea Farm Family

MUNGYO Artist OP, Cray-Pas Expressionist OP, 12' x 8' white paper.

This is not the first time I study on Pang Jiun's oil painting, to learn how he express his oriental feel on oil. Here is the first painting of Pang Jiun I study.

By blending the variety of grey on buildings and dark brown and black on the roof is the important parts to express the feel of oriental.

Fruits

MUNGYO Artist OP, 12' x 8' white paper.

I like to draw fruits, because of the combination of colors as well as the interesting surfaces on the fruits.

By sketching those fruits I learn that star fruit is really hard to draw. Because of the shape and the colors to express the 3Dness of the star fruit.

Well I enjoy painting orange, that is the reason I place the orange infront and hides the star fruit behind.

Blue Sunset

I always like to look at the sky, especially during early morning and evening. I like to go to beach, where you can enjoy looking at the sky as well as listen to the rhythm of the waves.



MUNGYO Artist OP, 12' x 8' white paper.

Golden Fields ~ New Zealand

My friend Haan is having vacation at New Zealand now, taking a lots of beautiful pictures and uploaded to facebook. This scene happened during her journey from Arthur's Pass to Christchurch, NZ.



MUNGYO Artist OP, 12' x 8' white papers.

I always find it hard to paint trees and fields using oil pastel, as it seems to be messy and unstructured but it does obey the laws of nature, which introduce some patterns to be trace.

Scenery: Country Road

OP: MUNGYO Artist
paper : 12' x 8' white paper


I went to Sekinchan, Malaysia during September 2009 when the paddy field is still green. Driving through the road between green paddy field.

This is a breakthrough for me to use only 13 colours on this piece, and I like the outcome. Usually, I tend to mix and blends a lots of colour together until it turns out dirty.

Initially, I sketch the scenery with light grey, differentiate the area based on colour tone and parting them with lines. I do precisely choose the combination of colours before I start my painting too.